AFTER PARTY افتر

Das sagt der/die Veranstalter:in:

AFTER PARTY  افتر !!!!

AL WAHIDA 🐆 presents the first edition of the After Party on THU Feb 20th, featuring Toumba, Al Nather, ABADIR, and kamẹra, aka Renata, at @MAAYA BERLIN.



Expect some Dancehall, Grime, Bass, Post Reggaeton, Trap, Drill, Footwork, Breaks and beyond. 

Doors Open at 11:30 pm
LIMITED CAPACITY  
🐆💅🏽🍬✨

About the artists

ABADIR
ABADIR is a music producer, sound designer, DJ and music critic born in Cairo, Egypt and based in Berlin, Germany.
His work varies between a large spectrum of styles, combining cinematic, club and ambient music. His concepts deal with themes inspired by fiction, memory and cultural artefacts.
ABADIR is part of SVBKVLT roster, and he’s the editor of the electronic music section at Ma3azef.
 
 
TOUMBA
Yazan Zyadat (AKA Toumba) is a producer and sound designer from Amman, Jordan. His music delves into often-overlooked elements of Arab musical heritage, reinterpreting them through intricate sound design, contemporary production techniques, and razor-sharp percussion. With releases on renowned underground labels like Hessle Audio and Nervous Horizon, he has established a distinctive sonic identity.
 
 
Al Nather
 
Al Nather is the co-founder and main sonic visionary of the prominent BLTNM record label based in Ramallah, Palestine.
He is behind the majority of the label’s productions, and is renowned for the distinctive cohesive sonic identity of the label that is newly referred to as “Arab Futurism”.
Al Nather's sound is heavily influenced by music from the Arab world as well as hip hop in all its forms creating a unique groundbreaking sound that singles him out from other producers. He has sold out shows in Palestine, Jordan, Egypt, Lebanon and Britain.
 
 
kamẹra
kamẹra aka Renata's alter moniker, is the side-pits of a large umbrella of genres rooted from urban environments from different cultures and corners of dance music explorations - from bass, rap, trap, drill, grime, to footwork, dancehall, breakbeat, jungle, drum’n’bass, and beyond.
kamẹra stands for ‘chameleon’ in Yoruba and as the alias pretty much describes it is driving the blustery beats we are used to from Renata, into an indulgent surplus of syncopation and rhythmic exploration.