Moritz Fasbender is one of the many pseudonyms of pianist and composer Friederike Bernhardt.
She fuses her classical background on the grand piano in a unique way with the as yet unexplored field of electroacoustics in piano music: the result is a radical collage of special sounds that creates an interwoven musical landscape of extraordinary beauty. Her work for countless theater and radio productions as well as her studies in electroacoustic composition have had a significant influence on the sound language of her current works. Between piano and synthesizer, between natural and asserted space, between reality and imagined film image, Fasbender's music moves beyond the conventional and breaks the rules of contemporary classical, neoclassical and jazz music.
"With Fasbender, we are listening to a woman who is setting new standards on the borderline between classical and electronic music, sleepwalking between analog sound and virtual space - most recently captured on her debut 13 RABBITS, released as a split release on Sony's XXIM Records and Edition Dur/Dusssmann. She works with a very specific attention to echo chambers and noise and uses electronics like a chef uses spices. A radical and at the same time dark, nocturnal suite. A film score for lonely nights." (Max Dax)
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