Against the backdrop of an increasingly manipulative chaos of information and data, Dominik Halmer and Patricia Röder devote themselves experimentally to questioning and reshaping our relationships to everyday things and structures of meaning.
In his monumental yet playful image installations, Halmer examines our relationship to a world that seems to be becoming ever more available through technology, networking and mobility, while at the same time becoming increasingly alienated from us. The integration of computer-generated 3D simulations into his paintings shows the longing for scientific predictability, reliability and stability, but at the same time takes it to the absurd. He deliberately creates unstable compositions as a playful, cynical response to the supposed security of computer-aided architecture.
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