𝐊𝐨𝐧𝐳𝐞𝐫𝐭 𝐈𝐈𝐈𝐈
𝐢𝐦 𝐑𝐚𝐡𝐦𝐞𝐧 𝐝𝐞𝐫 𝐕𝐞𝐫𝐚𝐧𝐬𝐭𝐚𝐥𝐭𝐮𝐧𝐠𝐬𝐫𝐞𝐢𝐡𝐞 "𝐇𝐨̈𝐫𝐞𝐧 𝐦𝐢𝐭 𝐇𝐞𝐥𝐦𝐡𝐨𝐥𝐭𝐳" 𝐝𝐞𝐬 𝐊𝐥𝐚𝐧𝐠𝐅𝐨𝐫𝐮𝐦 𝐇𝐞𝐢𝐝𝐞𝐥𝐛𝐞𝐫𝐠 𝐚𝐥𝐬 𝐓𝐞𝐢𝐥 𝐝𝐞𝐫 𝟑. 𝐁𝐢𝐞𝐧𝐧𝐚𝐥𝐞 𝐟𝐮̈𝐫 𝐍𝐞𝐮𝐞 𝐌𝐮𝐬𝐢𝐤 𝐝𝐞𝐫 𝐌𝐞𝐭𝐫𝐨𝐩𝐨𝐥𝐫𝐞𝐠𝐢𝐨𝐧 𝐑𝐡𝐞𝐢𝐧-𝐍𝐞𝐜𝐤𝐚𝐫
(A) work for 5-8 singers, harmonium, playback and live electronics. The musicians perform in an alchemistic laboratory situation that is playfully and associatively oriented towards Hermann von Helmholtz's world of objects and ideas: A necromancy, a reawakening. The voices change their identities with the help of live electronic processes, become ghostly voices and encounter ghosts on gramophone and vinyl records that haunt the playback material: a subjective research into the past and sound. Playback and live sounds combine to form an overall phenomenon (...). (The work concept also integrates the Stabat Mater by Giovanni Pierluigi Palestrina (c. 1590), analyzed by Helmholtz in the theory of sound sensations, as well as Hildegard von Bingen's hymn O Orchzis Ecclesia (Riesencodex, c. 1200))
About the commissioned work Helmholtz' Laboratory // Séance (...)
The premiere at 16:00 in the BETRIEBSWERK will be preceded by a keynote lecture and panel discussion on "Helmholtz & Palestrina" by Prof. Dr. Philipp Brüllmann and Prof. Dr. Christiane Wiesenfeldt with students and a discussion with the composer Arne Gieshoff at the same venue at 15:00.
Program:
World premiere - Arne Gieshoff: Helmholtz' labor // séance, 2024
Hildegard of Bingen: O Orzchis Ecclesia
Giovanni Pierluigi da Palestrina: Stabat Mater
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SCHOLA HEIDELBERG | ensemble aisthesis
Conductor: Walter Nußbaum
Price information:
A festival pass for the entire event is also available and costs between €15.00 and €75.00.